Allan Lanner has just turned sixteen and is about to find out a truth about his history and his parentage that will rock his very existence. Tasked with delivering a sword to a beautiful Countess, Allan encounters a number of challenges, which lead him from being held captive by brigands, to being rescued by a troop of southern chevaliers, then finally finding his way to Castle Helmstedt and an audience with the King.
Countess Demaris Del’oro is from a small town in northern Arrontierre, where she has just come into the rights to her land and title. Sent to Carentan for an arranged betrothal, she meets Allan at the smithy where she chooses a new sword. Meanwhile, a legendary Klagen figure resides in the northern forests unaware of his future destiny with his own secret agenda for vengeance. Read more…
Recycling? I hear you say… sounds a bit boring. But bear with me. This is environmentalism explored on multiple levels.
And… there are monsters lurking at the bottom of the garden.
Sustainability is a dish best served with a touch of darkness. Enjoy.
Available here from Cemetery Moon.
My latest short story, At Goodge Street, is published today in STORGY Magazine; an online literary short story magazine which aims to ‘challenge literary conventions and experiment with genre, style, form and content’.
What I like about STORGY is that it is an exploration of story across genres and media that at its heart examines what it means to be us… to be human. You’ll find art, culture, books, TV and film, competitions, interviews and more. But before you explore the other delights STORGY has to offer, take a quick trip to Goodge Street, where you’ll find a weird adventure awaiting you.
At Goodge Street follows the story of a couple who cross the boundary between fantasy and reality, playing a hidden game of love and betrayal against the backdrop of the myth and legend of ancient Hindu demons and gods.
Thank you to the staff at STORGY for publishing my story and I hope you enjoy it!
When I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.
The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.
This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.