When I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.
The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.
This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.
My story, Speak to Me, is published this month in New Realm.
If you follow me on Pinterest, might have noticed my board for Dryads and Trees where I have been collecting pictures and researching dryads in literature to inform my latest obsession.
According to Greek mythology, dryads are considered to be shy creatures, supernaturally long-lived and intrinsically linked to their trees. In the case of hamadryads, they are quite literally part of their tree and if the tree dies, so do they. Dryads are also known as wood or tree nymphs; ‘Nymph’ meaning ‘young woman’ in Greek, so they are always female. They never grow physically older, though they are very long-lived, wise and intelligent. They do not like being disturbed but will always be friendly if approached in the right way.
Generally, they preside over groves of trees and forests. A dryad is born with a certain tree over which she watches and will punish mortals who harm trees. Animals and trees are friends of the dryads who are thought to be their protectors.
This is a story about a dryad I found in a local park in East London. She too is quite shy, but harbours a deep desire to start conversations with people. Ironically, she has a curse hanging over her, which makes this particular yearning somewhat tricky.
As well as discovering a rich backdrop of inspiration, I uncovered untapped memories of my own. When I was a little girl, my grandfather used to take me and my siblings to traction engine fairs. I remember the green fields and muddy tracks, bold red and green painted engines with huge wheels and pumping pistons. Most of all, I remember the noise and smell; the sudden whoosh as steam was released that made me leap behind the safety of my grandfather and set my heart hammering against my ribs. The grimy, oily scent would stay in my nostrils for days and linger on the periphery of my senses. I was barely the height of those massive cast-iron wheels and the engines terrified me, deeply embedding a sense of awe. It is that same sense of awe that drew me towards speculative fiction with its big question of ‘what if?’ and then steampunk fiction, drawing on a nostalgia that has sat in the back of my mind for most of my life. If science fiction deals with the ‘what if?’ of pure invention, then perhaps steampunk deals with the ‘what then?’ – a reimagining of what has already been discovered.
My aim was to write a piece of fiction using the city as a backdrop, evoking a strong sense of place. Victorian London has always been a classic backdrop for steampunk and because I know the city well, I felt able to feed on its nostalgia. I chose Paris because it fascinates me and the similarities and differences between the two cities was interesting to explore. So with the background suitably steampunk, I managed to get in a bit of steam-powered tech alongside the retro-futuristic inventions. The protagonist’s story itself attempts to subvert the norms of the historical times, simply by the fact she is female attempting to enter a male dominated profession. And of course, there have to be aliens involved somewhere.
Hope you enjoy it – published this week in Electric Spec.
The road to nowhere;
a road of indistinct nature
that baffles and bemuses.
A creature of comfort,
a black hole in the middle
of a City of Bones.
The clouds open up
beneath my dogged stride
sheets of purple rain.
The ground beneath me rumbles
and a great crack sunders the earth.
I ride through the darkened skies
on the creature’s black-winged back.
Ruby eyes illuminate the space,
burning leaves, baking the tarmac.
And oh, how the city groans.
Welcome to the Bloodletter’s Arms for our annual seasonal celebrations. Tonight I’d like to introduce you to our speciality house tipple, which has been fermented in oak coffins for the discerning taste of our gothic clientele. It’s red, bubbly and bursting with the taste of iron girders. We call this one, ‘Vlad to be here’. I propose a toast to you all, to an eternity of indifference and alternate reality. Here is my secret recipe.
(WARNING: This is not for the faint-hearted; children should not try this at home without adult supervision.)
- Take partially germinated human blood and mix with eggs to make a frothy mush. This process converts the human form into dust, which is used to re-group into a new species.
- The new species is drawn off once the dust is spent and boiled in a vat over an open fire.
- Separate new life form from the fire and cool in a blood bag labelled, ‘handle with care’.
- Water is then added to convert the life form into something you might not want to take home to meet the parents.
- It smells like a chundering traction gurney and spews heat like hell’s fire from the underground that fuels London.
- Suck it up quick before you gag and preferably not within sight of anyone in their right mind.
- Twelve hours later, your skull splits open and peels you from the inside out.
Some people feel slightly nauseous, but once this process is complete you’ll feel perfectly normal.
Edgware Road is long like a leverleech
and has chilly feet and jelly wellies.
They do this thing called shopping where
they barter for exchangeables like trappings.
My food is a short stubby cyber plug
which tastes of smorgbord.
They have exploding drinks here, so you
have to be quick lest you end up wet and thirsty.
My bed has air-conditioning and foldaway
flaps that don’t cover my strattlebean.
Sometimes we eat in the big yellow ‘M’,
but not before sundown.
They scrape the dirt from their eaters with mint,
but when I tried, my human ran away.
I followed, but a big red ship tried to run me down.
Good thing I had my warblers on.