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Carentan Series Update

Map of Western Isles

Map of the Western Isles

It has been a while since my last book, The King of Carentan, was published and I realise I have been quiet – various reasons for that; the length of time it takes to write a book, the length of time between writing a book and it being fit for public consumption and… new job notwithstanding… multiple other personal distractions. So I owe my readers a long overdue update on progress.

Yes – you heard right, I am eight months into a new job which comes with its own challenges and priorities. But despite that, I have been busy on the writing front (check out my urban fantasy stories featuring Dryads in London).

Book Three of the Carentan Series is due for release in June 2018 and will resolve some unanswered questions from Book One (no spoilers). If you are now scratching your head and wondering what or whom I am referring to, I have provided links below for you re-read the books and refresh your memory. Or if you are new to the series, the first two books will provide you with a good backdrop to Book Three – although not necessary to enjoy the book in its own right. Indeed, I have been most careful to ensure that each book is a stand-alone story – not dependent on reading the rest of the series.

For you die-hard fans and those who badger me at opportune moments (I am not complaining as it keeps me on my toes!) – you may be pleased to hear that I am getting stuck in to another book in the Carentan Series. Completely independent of the first three books, but explores another character’s story in more detail. I’m saying no more.

So, on that note, I leave you with some links where you can buy the books in the format of your choosing to update or if new to the series prepare for the release of the next instalment in 2018; The Prince and The Assassin.

The Prince of Carentan
Amazon.co.uk
Amazon.com
Barnes & Noble
Kobo
Apple

The King of Carentan
Amazon.co.uk
Amazon.com
Barnes & Noble
Kobo
Apple

Comments, complaints, compliments and reviews (good, bad or indifferent), are always welcome and much appreciated.

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The Gone Gods

Gone GodsWhen I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.

The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.

Dryads can also be found in fantastic fiction; The Chronicles of Narnia by C.S. Lewis and The Belgariad by David Eddings. I am sure that you can come up with many more examples.

This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.

 

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Speak to Me

New RealmMy story, Speak to Me, is published this month in New Realm.

If you follow me on Pinterest, might have noticed my board for Dryads and Trees where I have been collecting pictures and researching dryads in literature to inform my latest obsession.

According to Greek mythology, dryads are considered to be shy creatures, supernaturally long-lived and intrinsically linked to their trees. In the case of hamadryads, they are quite literally part of their tree and if the tree dies, so do they. Dryads are also known as wood or tree nymphs; ‘Nymph’ meaning ‘young woman’ in Greek, so they are always female. They never grow physically older, though they are very long-lived, wise and intelligent. They do not like being disturbed but will always be friendly if approached in the right way.

Generally, they preside over groves of trees and forests. A dryad is born with a certain tree over which she watches and will punish mortals who harm trees. Animals and trees are friends of the dryads who are thought to be their protectors.

This is a story about a dryad I found in a local park in East London. She too is quite shy, but harbours a deep desire to start conversations with people. Ironically, she has a curse hanging over her, which makes this particular yearning somewhat tricky.

 

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The King of Carentan

The King of CarentanYoung twins, Jehanna and Jehan, are abandoned, presumed orphaned off the coast of Tennengaul. Brought up by a poor family in a small fishing village, they set out one day on an adventure that takes them across the country to find their fortune and discover their talents. Jehanna develops a skill for herbs and healing, while Jehan trains to be a soldier in a local garrison.

The new King of Carentan at only eighteen years of age is confronted by a national threat from the Southern Lands that soon becomes a threat to the entire Western Isles. Only months into his reign, it falls to Gereinte Andolin to draw together the combined might of the divided Western Isles to stand up to the threat of the Chevaliers of Arrontierre. But will it be enough? Read more…

Why we love a coming-of-age story

http://www.carentan.co.ukComing-of-age is a genre that typically has a young protagonist who goes on a journey to find meaning to their life. We follow their moral and psychological growth from youth to adulthood with the expectation that they will face significant barriers along the way. They may make mistakes and face life or death circumstances, but the key factor is that the character learns from their experience and changes as a result.

The genre of Fantasy Fiction loves a coming-of-age story. The story arc takes our young protagonist on a journey that often starts with loss or alienation; think Harry Potter, or The Hunger Games. A common theme is the discovery of magical or special powers; Name of the Wind, A Wizard of Earthsea, and part of the quest is to discover how to use this special gift for good. This opens up the genre to that age-old battle between good and evil, often introducing a dark antagonist; Lord of the Rings, The Belgariad.

My all time favourite is The Thief by Megan Whelan Turner and its sequel The Queen of Attolia, which strictly speaking, you might not class as a coming-of-age story. However, it has all the elements that make it so in my mind; a young protagonist who faces a journey which forces him to make moral and psychological choices, love, loss – both physical and emotional – and circumstances that demand him to take responsibility not only for himself but for his family and his nation. Add to that a dash of supernatural powers, a few good fight scenes and I am sold.

We can all identify with the loss of innocence; right from the moment we discover that it is really our parents who are putting presents under the Christmas tree. As adults, our whole lives are coloured by perspectives that do not limit the imagination of the young. Somehow, we long to rid ourselves of the shackles of rational thought and return once again to that age of innocence, when life was so much simpler. So the coming-of-age story allows us to relive a life less complicated and find the answers to our own adult conundrums through youthful eyes. What’s not to love about that?

So what can I bring to bear from personal experience on this well documented genre? Well, I’m still waiting to come of age, so in the meantime I’ll just carry on writing stories.

Vertical Publishing

In this article from Futurebook, Chris McVeigh, digital publishing consultant considers the idea of Vertical Publishing.

Publishing as we know it is rapidly changing and any organisation, be it publisher, bookseller, retailer or writer alike, needs to adjust their business plan to take account of these changes. Read the rest of this entry

The book; more than the sum of its parts?

I can’t deny it; I love books. I love the grainy texture of the paper, the crisp new smell of a paperback fresh off the shelf. I love the weighty feel of a book in my hands, the variety of cover designs that tease my imagination. But all this is surface detail, like the gold foil wrapping on a dark chocolate truffle. At the end of the day, it is the words that transform me; deliver me straight into the consciousness of the author. It is a game of two halves, a meeting of minds, words nudging my brain to make connections and experience an alternative existence in my own inimitable fashion.

There has been a lot of debate lately about the ‘end of the book’, alluding to a paradigm shift in the world of publishing. But when we talk about the book being ‘dead’, we surely mean the book in its physical form and all the trappings that allure you to its content and add to the anticipation of the delight that lies within its pages.

We will always have books, because there will always be readers like me who – despite being a huge fan of e-books – will stand in awe of the library and book shop shelves, mouth watering, fingers itching, mind bursting with a world of possibilities. The book will live on for the same reason that a good bottle of claret should be decanted, left to breath, then poured into the perfect shaped wine glass before being savoured. The book is not dead; long live the book.

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