Allan Lanner has just turned sixteen and is about to find out a truth about his history and his parentage that will rock his very existence. Tasked with delivering a sword to a beautiful Countess, Allan encounters a number of challenges, which lead him from being held captive by brigands, to being rescued by a troop of southern chevaliers, then finally finding his way to Castle Helmstedt and an audience with the King.
Countess Demaris Del’oro is from a small town in northern Arrontierre, where she has just come into the rights to her land and title. Sent to Carentan for an arranged betrothal, she meets Allan at the smithy where she chooses a new sword. Meanwhile, a legendary Klagen figure resides in the northern forests unaware of his future destiny with his own secret agenda for vengeance. Read more…
When I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.
The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.
This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.
I delivered a session last week on the Myers-Briggs Type Indicator, which is based on Jung’s personality type theory.
I just love seeing that moment of understanding when a participant realises that something they have been doing all along and not had the confidence to voice is really grounded in psychological type theory. As an MBTI practitioner, it sometimes feels like I am giving people permission to be themselves. It is powerful and it is liberating. It gives the clients I work with confidence in their strengths and a framework in which to describe what they are good at. Not to mention, the understanding of how and why other people behave in certain ways – perfect for demonstrating teamwork scenarios.
This tool has so many other advantages, one of which is applying it to characters in my stories and books. It helps me to keep characters behaving in a way that is consistent and believable, without the need to even reveal how or why. It just is. And it works, as you have a theory in the sub-text of the work, invisible to the reader, but underpinning the elements that make a believable plot. It helps the reader to suspend disbelief without you having to signpost what you are doing. It is a powerful gift; check it out.
I’ve just returned from the first part of a qualifying course for the Myers-Briggs Type Indicator (MBTI). For anyone unfamiliar with MBTI, it is personality type indicator that is used as a self-development tool; very useful in the work that I do as a Careers Consultant. However, it occurred to me that it might also be a very useful framework for developing fictional characters. In fact, as the course progressed, I found myself regularly reflecting on the characters in my current book and how they might behave in certain situations.
The MBTI inventory was developed by mother and daughter, Katharine Briggs and Isabel Myers who took the theories of Swiss psychiatrist Carl Jung around personality and type, then through over 50 years of research and development produced this indicator. Today, it is the most widely used instrument for understanding personality differences.
Naysayers amongst us might argue that it is restrictive and like putting characters in boxes. But as I have discovered, the amount of research underpinning the tool is so massive, I can’t even begin to do it justice here. If you believe in creating rounded characters that interact with each other and behave in a believable way, then you wouldn’t go too far wrong by taking a look at some of the theory behind the tool.
When I got home from the course, I googled MBTI for character development and came up with some interesting web sites:
A bit of fun for Simpsons fans: – the Simpsons MBTI
If you want to undertake the test yourself, I’d highly recommend getting feedback from a qualified professional. This would give you a rich insight into your own natural strengths and potential areas for growth. Enhancing an understanding of yourself and your own motivations will undeniably help you to understand what motivates others. And… as a writer, I am fully aware that an understanding of the rich complexity of human relationships is at the heart of character development.