When I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.
The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.
This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.
I delivered a session last week on the Myers-Briggs Type Indicator, which is based on Jung’s personality type theory.
I just love seeing that moment of understanding when a participant realises that something they have been doing all along and not had the confidence to voice is really grounded in psychological type theory. As an MBTI practitioner, it sometimes feels like I am giving people permission to be themselves. It is powerful and it is liberating. It gives the clients I work with confidence in their strengths and a framework in which to describe what they are good at. Not to mention, the understanding of how and why other people behave in certain ways – perfect for demonstrating teamwork scenarios.
This tool has so many other advantages, one of which is applying it to characters in my stories and books. It helps me to keep characters behaving in a way that is consistent and believable, without the need to even reveal how or why. It just is. And it works, as you have a theory in the sub-text of the work, invisible to the reader, but underpinning the elements that make a believable plot. It helps the reader to suspend disbelief without you having to signpost what you are doing. It is a powerful gift; check it out.