Category Archives: Writing

The Prince and the Assassin

The Prince and the AssassinAllan Lanner has just turned sixteen and is about to find out a truth about his history and his parentage that will rock his very existence. Tasked with delivering a sword to a beautiful Countess, Allan encounters a number of challenges, which lead him from being held captive by brigands, to being rescued by a troop of southern chevaliers, then finally finding his way to Castle Helmstedt and an audience with the King.

Countess Demaris Del’oro is from a small town in northern Arrontierre, where she has just come into the rights to her land and title. Sent to Carentan for an arranged betrothal, she meets Allan at the smithy where she chooses a new sword. Meanwhile, a legendary Klagen figure resides in the northern forests unaware of his future destiny with his own secret agenda for vengeance. Read more…

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One Fine Morning – Story Development

Story DevelopmentLast Friday, I attended a fascinating workshop facilitated by Caitriona Fitzsimons, the creative practitioner behind One Fine Morning. The workshop was designed to explore creativity through techniques traditionally used to teach drama that have been adapted for writing. The technique used is called ‘given circumstances’, which is particularly useful for character-driven stories, as it has been adapted from the Russian theatre practitioner, Konstantin Stanislavski, who is well known for his unique system of training actors, often referred to an ‘method acting’. Stanislavski believed that in order to convincingly portray a character, an actor should prepare by immersing themselves in the situation of the person, fictional or otherwise. As a fiction writer, it is also necessary to profile your characters and their circumstances in order to be able to walk in their shoes. During the process of writing, you become the character, and as such your descriptions are richer and more convincing.

The Story Development Workshop enabled its participants to map the process of character development across a story arc from beginning to end, using global themes, thematic statements and ‘given circumstances’ for the characters in the story. It was an immersive process which involved collaboration and interaction between participants that resulted in an agreed final story, told by the participants to each other as a group.

If you are struggling with an idea and are not sure how to structure or develop your story, this workshop will give you some practical tools in order to move your creative thinking forward. I particularly liked the interactive nature of the session, as writing can be quite an isolating endeavour. This approach allows you to explore ideas in a safe environment and often, one comment or observation from another participant can open up your mind to all sorts of possibilities. It also gives you the opportunity to road test the credibility of an idea from a global story perspective, and see how each individual story element fits in to the whole structure. An inspiring experience and highly recommended!

Check out One Fine Morning for future workshop dates.

Surrey New Writers Festival

Slide from Surrey New Writers Festival
At the weekend, I joined a lively group of writers in Guildford at the Surrey New Writers Festival at G-Live, organised by the School of Literature and Languages at the University of Surrey. The mix of discussion panels and workshops made for some insightful debates, including; literary start-ups, creating and nurturing a support network, writing for TV and Film, a panel of agents, publishers and editors as well as a lunch time workshop delivered by writing coach and author, Melissa Addey. There was also a poetry stage going on throughout the day with readings from special guest poets.

It was a great opportunity to network with local writers and chat with students and staff from the University, who invited me along to do a reading at the evening launch of the Stag Hill Literary Journal. As a contributor to the inaugural issue, I was honoured to read an extract from my short story, Habitat, an near-future SciFi story, which appears in the journal. Stag Hill Literary JournalYou can follow the future of the journal on their facebook page here, where you can get a copy of Issue One, read the online version or send in your own submissions. Thank you to M.E. Rolle and the editorial team for the opportunity to network and share my work with a wider audience.

 

 

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Twenty Jobs for Writers

 

Of course, any job is a good job for a writer. We like to think we would be happy in isolation, chipping away at our work in progress, but actually any job that brings us into contact with people provides a rich source of inspiration and character ideas. Nevertheless, writers are wordsmiths and happiest when engaged in the written word, so here are twenty jobs for writers that make use of our skill.

Copywriter
A copywriter writes advertising and product descriptions (known collectively as copy) for print and online catalogues, commercial scripts, brochures, direct mail. Can be freelance or working for an agency. http://www.ipa.co.uk/ 

Blogger
With the rise of content marketing, an increasing number of companies are paying freelancers to write articles for their blogs. A combination of one-off articles or series of articles – useful to have a specialism. Be prepared to chase work.

Reviewer
A reviewer writes an evaluation of the quality of something eg. books, films, food, art, music, theatre. Can be quite lucrative, often work as freelancers.

Editorial Assistant
An editorial assistant provides administrative support for editors, associate editors and writing/editorial staff. They often perform scheduling, filing, note taking, and other administrative duties. They may or may not perform writing and editing tasks. http://www.bookcareers.com/ Read the rest of this entry

A Darker Shade of Green

Cemetary Moon
This is a story about recycling.

Recycling? I hear you say… sounds a bit boring. But bear with me. This is environmentalism explored on multiple levels.

And… there are monsters lurking at the bottom of the garden.

Sustainability is a dish best served with a touch of darkness. Enjoy.

Available here from Cemetery Moon.

 

At Goodge Street

My latest short story, At Goodge Street, is published today in STORGY Magazine; an online literary short story magazine which aims to ‘challenge literary conventions and experiment with genre, style, form and content’.

What I like about STORGY is that it is an exploration of story across genres and media that at its heart examines what it means to be us… to be human. You’ll find art, culture, books, TV and film, competitions, interviews and more. But before you explore the other delights STORGY has to offer, take a quick trip to Goodge Street, where you’ll find a weird adventure awaiting you.

At Goodge Street follows the story of a couple who cross the boundary between fantasy and reality, playing a hidden game of love and betrayal against the backdrop of the myth and legend of ancient Hindu demons and gods.

Thank you to the staff at STORGY for publishing my story and I hope you enjoy it!

 

 

 

Carentan Series Update

Map of Western Isles

Map of the Western Isles

It has been a while since my last book, The King of Carentan, was published and I realise I have been quiet – various reasons for that; the length of time it takes to write a book, the length of time between writing a book and it being fit for public consumption and… new job notwithstanding… multiple other personal distractions. So I owe my readers a long overdue update on progress.

Yes – you heard right, I am eight months into a new job which comes with its own challenges and priorities. But despite that, I have been busy on the writing front (check out my urban fantasy stories featuring Dryads in London).

Book Three of the Carentan Series is due for release in June 2018 and will resolve some unanswered questions from Book One (no spoilers). If you are now scratching your head and wondering what or whom I am referring to, I have provided links below for you re-read the books and refresh your memory. Or if you are new to the series, the first two books will provide you with a good backdrop to Book Three – although not necessary to enjoy the book in its own right. Indeed, I have been most careful to ensure that each book is a stand-alone story – not dependent on reading the rest of the series.

For you die-hard fans and those who badger me at opportune moments (I am not complaining as it keeps me on my toes!) – you may be pleased to hear that I am getting stuck in to another book in the Carentan Series. Completely independent of the first three books, but explores another character’s story in more detail. I’m saying no more.

So, on that note, I leave you with some links where you can buy the books in the format of your choosing to update or if new to the series prepare for the release of the next instalment in 2018; The Prince and The Assassin.

The Prince of Carentan
Amazon.co.uk
Amazon.com
Barnes & Noble
Kobo
Apple

The King of Carentan
Amazon.co.uk
Amazon.com
Barnes & Noble
Kobo
Apple

Comments, complaints, compliments and reviews (good, bad or indifferent), are always welcome and much appreciated.

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The Gone Gods

Gone GodsWhen I was a girl, my granda used to take me and my siblings for long walks in Ashridge Forest. We explored acres of glorious beech and oak woodlands, crunching through the bracken and collecting beechnuts and acorns to use as projectile weapons in the eternal sibling rivalry war. Trees have always fascinated me. The garden of my childhood was filled with hardy tree-climbing inspiration; Pines tall enough to see over the town and across the downs, Horse Chestnuts with perfect nooks and crannies for makeshift tree houses and stashing secret conker supplies. So, I guess it’s not surprising for me to link my love of trees and forests with my love of fantastic fiction.

The Gone Gods is one in a series of stories that feature dryads, nymphs, wood elves and other magical creatures. Writers have handled dryads in different forms for many years. Such stories are as old as the gods themselves. We find dryads represented throughout literature; Paradise Lost by John Milton, The Virginians by William Thackeray, and particularly as symbols of nature in; On the Difficulty of Conjuring up a Dryad and On the Plethora of Dryads by Sylvia Plath.

Dryads can also be found in fantastic fiction; The Chronicles of Narnia by C.S. Lewis and The Belgariad by David Eddings. I am sure that you can come up with many more examples.

This short novelette, The Gone Gods, is three chapters, which explore the juxtaposition between modern urban life and ancient myth; how these wonderful and alien creatures rub up against the modern Londoner. Hope you enjoy it.

 

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Speak to Me

New RealmMy story, Speak to Me, is published this month in New Realm.

If you follow me on Pinterest, might have noticed my board for Dryads and Trees where I have been collecting pictures and researching dryads in literature to inform my latest obsession.

According to Greek mythology, dryads are considered to be shy creatures, supernaturally long-lived and intrinsically linked to their trees. In the case of hamadryads, they are quite literally part of their tree and if the tree dies, so do they. Dryads are also known as wood or tree nymphs; ‘Nymph’ meaning ‘young woman’ in Greek, so they are always female. They never grow physically older, though they are very long-lived, wise and intelligent. They do not like being disturbed but will always be friendly if approached in the right way.

Generally, they preside over groves of trees and forests. A dryad is born with a certain tree over which she watches and will punish mortals who harm trees. Animals and trees are friends of the dryads who are thought to be their protectors.

This is a story about a dryad I found in a local park in East London. She too is quite shy, but harbours a deep desire to start conversations with people. Ironically, she has a curse hanging over her, which makes this particular yearning somewhat tricky.

 

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Creative writing courses… why bother?

Library BooksI was inspired by an article I read in The Conversation about why the teaching of creative writing matters by Simon Holloway, Lecturer in Creative Writing at the University of Bolton, who says that very few students will earn a living as a writer. But writing is about more than that, and the ability to communicate effectively is a rare and precious thing’.

There is mixed opinion about the benefits of undertaking a course in creative writing; Hanif Kureishi, author of The Buddha of Suburbia, famously said that creative writing courses are a ‘waste of time’.

By coincidence, I was recently invited back to my university to talk to the MA Writing students about my experience of the course and what I have gained. It is only a year since I graduated, so it is still fresh in my mind, but talking it through with a group of engaging peers at various stages of their careers helped me to reflect on and consolidate my own experience.

I thought it might be useful to share some of my reflections in the hope of reaching out to anyone out there who is at a cross roads and trying to decide the best route to take.

It is unfortunately true to say that few creative writing students will earn a living as a writer, but even as I sat in front of this year’s cohort and asked them what they most wanted to learn from me, many said it was how to earn a living from writing. Although I have a full time day job as well as being a writer, this is perhaps one area in which I can add some valuable insight. I work in graduate careers and employability, and much of the advice that I offer students in preparing for the jobs market is transferable to writers preparing their work for publication. In fact this is the one area where my day job and my writing work find a happy coexistence. Here are my top tips for getting a job and/or getting published. Read the rest of this entry

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