Category Archives: Publishing

Speak to Me

New RealmMy story, Speak to Me, is published this month in New Realm.

If you follow me on Pinterest, might have noticed my board for Dryads and Trees where I have been collecting pictures and researching dryads in literature to inform my latest obsession.

According to Greek mythology, dryads are considered to be shy creatures, supernaturally long-lived and intrinsically linked to their trees. In the case of hamadryads, they are quite literally part of their tree and if the tree dies, so do they. Dryads are also known as wood or tree nymphs; ‘Nymph’ meaning ‘young woman’ in Greek, so they are always female. They never grow physically older, though they are very long-lived, wise and intelligent. They do not like being disturbed but will always be friendly if approached in the right way.

Generally, they preside over groves of trees and forests. A dryad is born with a certain tree over which she watches and will punish mortals who harm trees. Animals and trees are friends of the dryads who are thought to be their protectors.

This is a story about a dryad I found in a local park in East London. She too is quite shy, but harbours a deep desire to start conversations with people. Ironically, she has a curse hanging over her, which makes this particular yearning somewhat tricky.

 

Save

Unheard

The Mechanics' Institute ReviewAs writers we strive to engage in sensory description to bring alive our stories for readers. Through sight, sound, touch, smell and taste we can evoke a sense of the familiar and colour our characters with graphic depth. So, I thought I’d mix it up a bit in this story. Synaesthesia is an extraordinary condition where the stimulation of one sense automatically triggers sensations in one of the other five senses. For example, sound triggering a tactile response, music or voices seen as colours. I chose to play about with touch and taste in this case, but I’ll let you, my curious reader, decide for yourself how well you think that worked.

This particular story was also inspired by the deep divisions in our society that are growing ever wider and threaten our unique and inclusive cultural identity. The story takes us into a near future that is already sitting on our doorsteps. As a writer, you can’t help but reflect what you see going on around you. Whether set in our world, a future world or a re-written past, stories give us the opportunity to take a good look at ourselves and wonder what we can do to make the world a better place.

Thank you to The Mechanics’ Institute Review Online for publishing Unheard.

The Watchers

Steampunk shipI became interested in steampunk fiction when I used it as a theme to research London’s influence on the genre as part of my MA in Creative Writing.

As well as discovering a rich backdrop of inspiration, I uncovered untapped memories of my own. When I was a little girl, my grandfather used to take me and my siblings to traction engine fairs. I remember the green fields and muddy tracks, bold red and green painted engines with huge wheels and pumping pistons. Most of all, I remember the noise and smell; the sudden whoosh as steam was released that made me leap behind the safety of my grandfather and set my heart hammering against my ribs. The grimy, oily scent would stay in my nostrils for days and linger on the periphery of my senses. I was barely the height of those massive cast-iron wheels and the engines terrified me, deeply embedding a sense of awe. It is that same sense of awe that drew me towards speculative fiction with its big question of ‘what if?’ and then steampunk fiction, drawing on a nostalgia that has sat in the back of my mind for most of my life. If science fiction deals with the ‘what if?’ of pure invention, then perhaps steampunk deals with the ‘what then?’ – a reimagining of what has already been discovered.

My aim was to write a piece of fiction using the city as a backdrop, evoking a strong sense of place. Victorian London has always been a classic backdrop for steampunk and because I know the city well, I felt able to feed on its nostalgia. I chose Paris because it fascinates me and the similarities and differences between the two cities was interesting to explore. So with the background suitably steampunk, I managed to get in a bit of steam-powered tech alongside the retro-futuristic inventions. The protagonist’s story itself attempts to subvert the norms of the historical times, simply by the fact she is female attempting to enter a male dominated profession. And of course, there have to be aliens involved somewhere.

Hope you enjoy it – published this week in Electric Spec.

The King of Carentan

The King of CarentanYoung twins, Jehanna and Jehan, are abandoned, presumed orphaned off the coast of Tennengaul. Brought up by a poor family in a small fishing village, they set out one day on an adventure that takes them across the country to find their fortune and discover their talents. Jehanna develops a skill for herbs and healing, while Jehan trains to be a soldier in a local garrison.

The new King of Carentan at only eighteen years of age is confronted by a national threat from the Southern Lands that soon becomes a threat to the entire Western Isles. Only months into his reign, it falls to Gereinte Andolin to draw together the combined might of the divided Western Isles to stand up to the threat of the Chevaliers of Arrontierre. But will it be enough? Read more…

Why we love a coming-of-age story

http://www.carentan.co.ukComing-of-age is a genre that typically has a young protagonist who goes on a journey to find meaning to their life. We follow their moral and psychological growth from youth to adulthood with the expectation that they will face significant barriers along the way. They may make mistakes and face life or death circumstances, but the key factor is that the character learns from their experience and changes as a result.

The genre of Fantasy Fiction loves a coming-of-age story. The story arc takes our young protagonist on a journey that often starts with loss or alienation; think Harry Potter, or The Hunger Games. A common theme is the discovery of magical or special powers; Name of the Wind, A Wizard of Earthsea, and part of the quest is to discover how to use this special gift for good. This opens up the genre to that age-old battle between good and evil, often introducing a dark antagonist; Lord of the Rings, The Belgariad.

My all time favourite is The Thief by Megan Whelan Turner and its sequel The Queen of Attolia, which strictly speaking, you might not class as a coming-of-age story. However, it has all the elements that make it so in my mind; a young protagonist who faces a journey which forces him to make moral and psychological choices, love, loss – both physical and emotional – and circumstances that demand him to take responsibility not only for himself but for his family and his nation. Add to that a dash of supernatural powers, a few good fight scenes and I am sold.

We can all identify with the loss of innocence; right from the moment we discover that it is really our parents who are putting presents under the Christmas tree. As adults, our whole lives are coloured by perspectives that do not limit the imagination of the young. Somehow, we long to rid ourselves of the shackles of rational thought and return once again to that age of innocence, when life was so much simpler. So the coming-of-age story allows us to relive a life less complicated and find the answers to our own adult conundrums through youthful eyes. What’s not to love about that?

So what can I bring to bear from personal experience on this well documented genre? Well, I’m still waiting to come of age, so in the meantime I’ll just carry on writing stories.

Modern Faery Tale

Here is a modern take on a classic Faery tale.

Can you guess which one it is?

Bewildering Stories

 

A life of crime?

Just received news that I have been selected as one of 9 runners up in a crime writing competition run by Pan Macmillan and the award winning author M. R. Hall, who was nominated twice for the prestigious Crime Writers’ Association Gold Dagger for best novel of the year and is also a BAFTA-nominated screenwriter and producer, having written more than forty hours of prime time drama for BBC 1 and ITV.

The competition was opened up after completing a fantastic online course where M. R. Hall reveals his Seven Secrets of Successful Crime Writing.

Following the online videos, tips and worksheets has inspired me to complete my first crime novel and provided a much needed structure to a story that I have been struggling with for some time.

Thank you, M. R. Hall and Pan Macmillan for this fantastic opportunity!

Vertical Publishing

In this article from Futurebook, Chris McVeigh, digital publishing consultant considers the idea of Vertical Publishing.

Publishing as we know it is rapidly changing and any organisation, be it publisher, bookseller, retailer or writer alike, needs to adjust their business plan to take account of these changes. Read the rest of this entry

%d bloggers like this: